Aurora 88P


This 88P is from my personal collection, from 1958-1963, and is in excellent condition, showing only the microscratches of use on its gold cap and one grip mark on the section. Its piston mechanism has been freshly restored. It writes a fast, wet fine with just a touch of flex. The barrel and section are black celluloid and the cap is gold filled.  The nib is a wet fine with a touch of flex. It is a delightful writer, and a very sturdy and elegant pen that can be a daily user for years to come. 

Price: $135 SOLD

Conway Stewart “Conway”


Although struggling to survive by the 1960s, and by now now producing other desk essentials, Conway Stewart was still producing fountain pens. Their use of injection-molded plastics was the base for most of their late production, and used in all of their pens. The Conway 103 is a mid-1960s pen that came both with a same color cap and a metal cap. This pen is in green, with matching slip cap, a squeeze filler. It has a 14c gold nib, imprinted “Conway”, and is a smooth, soft fine to medium with some flex, the typical Conway Stewart writing experience.

Price: $70 SOLD

Conway Stewart “The Universal Pen”

late 1940s

In Conway Stewart’s circular and impenetrable naming logic, “Universal” was used on a variety of model lines from the 1930s-1950s. This is “The Universal Pen”, a No. 479 late series model, probably from the postwar 1940s, in marbled green and black. It is in truly outstanding overall condition, a description I don’t often use. Of celluloid, it is 12.8cm long, with a domed crown. The dome is in dark, might have been black, hard rubber (vulcanite in England). The trim is in excellent condition, untarnished. The imprint is shallow but complete. This is a very shiny, fresh pen, showing almost no marks of use. The nib is 14c gold, marked Conway Stewart; probably the original nib. It is a wet, soft, wonderful writer. 

Price: $130 SOLD

Parker Lucky Curve


In the late 19-teens, Parker was in its final stages of producing its many types of long ebonite fountain pens before moving to the first Duofolds in 1921. By then, Lucky Curve feeds had become established technology, and the Jacknife Safety caps were wonderful marketing devices. This pen, a black hard rubber example from 1917-20 that is in the No. 22-23 size range, marks the transition to Duofold, with its “turban” blind cap, button filler, Lucky Curve feed, and thicker girth.  It is a shorter model, at 4 3/8” long capped, but has full girth and is not too short to hold comfortably. In excellent condition for a 100 year old pen, all original except for the new sac nipple (crafted by Ron Zorn), which is not visible under the sac. The nib is a full flex, imprinted “Parker Lucky Curve Pen”. This is a special pen, rarely seen.  It’s sturdy enough to use regularly, but a case is recommended.

Price: $250 SOLD

Sheaffer Snorkel 


This pen is a Snorkel Saratoga, in Pastel Grey, with an open 14K nib, very clean, no deep scratches and even very little sign of wear. The gold cap ring is nicely personalized with initials RHJ ($5 discount to a buyer with those initials…) It writes a firm fine line.

Price: $55 SOLD

Swan Self-Filler

late 1930s

This is a Swan Self-Filler.  As often happens with English pens, this pen does not correspond exactly to any of the available notations, although its appearance is clearly that of a pre-WWII pen and it is so marked.  That said, it is handsome, in blue/black marbled celluloid, 13cm long, a lever-filler.  It carries a 14c Swan 2 nib, which which writes a very broad, almost stubbed, wet line.  

Price: $90 SOLD

Wearever Pioneer


With their sibling Pennants throughout the 1950s, Wearever Pioneers were ubiquitous drugstore pens, marketed at 50 cents each. In homage to the Parker 51, they featured a “hooded” nib made by an additional tab that partially covers the nib. It is in very clean red injection molded plastic with a metal cap that shows some wear; has a firm lever, Wearever’s signature clear plastic feed and writes a nice fine/medium line.

Price: $28 $24



This Wilrite, from the 1920s, has the gold-filled overlay over bright yellow celluloid. The gold overlay is complete and very clean (the yellow of the pen makes the gold look silver in the photograph). The yellow celluloid shows some wear, but it is intact and complete. In addition, there is a small green end plug, most likely also celluloid. Nib is a tiny Peter Pan, which writes a nice fine/medium line with a little flex.

Price: $52 $46

Wyvern Envoy

early 1950s

This pen is a Wyvern Envoy, from 1949/early 1950s, in what Wyvern called “Copper Rose”.  The Envoy is rarely seen in this pattern; most were black. This pen is a real beauty, shiny, without blemish, and still stickered!  Although stickered, it has been used; there was ink in the feed and in the replaced sac. The trim is missing a bit of plating, the thinness of which was well-known in Wyverns. It is also unusual that the clip carries the Leicester Dragon for which the brand is named.  The nib, true to the sticker, is a semi-flexible broad, and writes beautifully.  Although perhaps not England’s best or best-known brand, Wyvern did make some great writers, and this is clearly one!

Price: $120 SOLD

The Fine Print

Purchase / Shipping

Payment is via PayPal or cleared personal check. Shipping is additional, usually $4 for USPS tracked first class to domestic US addresses for purchases costing less than $100, and $7 for USPS priority mail to domestic US locations for purchases costing $100 or more. Higher and faster levels of shipping to locations worldwide are available at cost. I will gladly combine shipping for multiple purchases. The purchaser will be responsible for all duties, tariffs, and customs regulations.

Return / Warranty

Pens can be returned for any reason within four weeks of receipt; 75% of purchase price will be refunded. If there is a defect that was not acknowledged in the sale, 100% will be refunded. The filling systems are warrantied for one year; latex sacs are warrantied for 90 days. Because the pens I work on are 40-100 years old and have use histories that are almost always unknown, the pen’s cosmetic appearance, prior work or defects that I did not create cannot be warrantied. The warranty also expires if any subsequent work is performed by the owner or another restorer. However, my goal is to always satisfy a client, to describe a pen’s known flaws accurately, and to take wear and flaws into pricing consideration. For returns without an unacknowledged defect, the purchaser will pay return shipping.

A couple of definitions


Celluloid is actually a form of plastic, a compound made of camphor and nitrocellulose (gun cotton) that has been available since the 1920s. It proved to be durable and highly water/stain resistant, and became the dominant substance used in forming fountain pens form the early 1930s until 1960. I use the term celluloid because it is widely used in the fountain pen world and to differentiate this form of plastic from others, like lucite, polystyrene and other injection molded plastics, and acrylic resins used widely after WWII.


American and Canadian pens are usually described in inches and European and Asian ones in centimeters; pens’ sizes often determined their model designations, so knowing one can often help one learn the other.